According to modern economic theory -- which holds that markets are efficient,
i.e., that share prices reflect intrinsic values and that speculators are
simply rational economic agents intent on optimising their wealth -- the
history of speculation is a dull affair. In the world of efficient markets
there are no animal spirits, no crowd instincts, no emotions of greed or fear,
no trend-following speculators, and no "irrational" speculative bubbles. Yet
the activities of speculators down the ages appear to me to be richer, more
diverse in motivation and extraordinary in result, than anything described by
economists. My own approach is closer to that of Charles Mackay, Dickens's
friend and the author of Extraordinary Popular Delusions and the Madness of
Crowds (1841), who provided the first popular accounts of the Tulip Mania,
Mississippi, and South Sea bubbles. For Mackay, speculative manias were a
manifestation of the occasional tendency of society to succumb to delusion and
mass madness: "Men, it has been well said, think in herds; it will be seen that
they go mad in herds, while they only recover their senses slowly, and one by
one." ... |
Edward Chancellor, a contributor to the Financial Times and
The Economist, studied history at Cambridge and Oxford and in the early
1990s worked for the investment bank Lazard Brothers.
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The course of the Tulip Mania was similar to that of many later stock market
manias. Just as the Tulip Mania was initially stimulated by a price rise for
precious bulbs which attracted new entrants into the market, so stock market
booms are commonly triggered by a sharp climb in the share prices of a
particular sector -- whether railway stocks in the 1840s or motorcars in the
1920s -- which entices outsiders to speculate. It is another common feature of
bull markets that as a mania progresses, the quality of the stocks that attract
speculation declines -- a rising tide floats all ships, even the most
unseaworthy. The "tulpenwoerde" was no different: speculation in the Semper
Augustus bulbs gave way to a manic trade in breeder bulbs. Several other
features of Tulip Mania are common to later stock market booms: rumours
fuelling the boom, the rapid growth of leverage through the use of futures and
paper credit, conspicuous consumption among speculators, sharply rising prices
followed by sudden panic without cause, and initial government passivity
followed by belated intervention.
The Austrian economist J. A. Schumpeter observed that speculative manias
commonly occur at the inception of a new industry or technology when people
overestimate the potential gains and too much capital is attracted to new
ventures. Perhaps the speculators of the 1630s, entranced by the novelty of the
tulip, were anticipating the development of the Dutch flower industry, now the
largest in the world. If so, as with many later speculators, their foresight
was not to be rewarded financially. As James Buchan observes, the vision of
speculators is vitiated by their delusive conception of time: "The great stock
market bull seeks to condense the future into a few days, to discount the long
march of history, and capture the present value of all the future." More often
than not, the future turns out to be less tractable than the speculator would
wish. ...
· THE CARNIVAL OF SPECULATION
An engraving entitled Flora's Cap of Fools by the Dutch artist Pieter
Nolpe, published shortly after the demise of the Tulip Mania, depicts tulip
dealers haggling inside a giant fool's coxcomb. During the American bull market
of the 1990s, the most popular on-line investment forum has been The Motley
Fool: its young founders wear coxcombs in public as they propose their
"Foolery" as a path to stock market riches in place of the "wisdom" of Wall
Street. This reappearance of the fool in the imagery of speculation is not
fortuitous. Speculation grew out of the crowds and bustle of the Renaissance
fairs and carnivals, and although the carnival was in decline and fairs had
been replaced by permanent stock exchanges, the carnival spirit lingered in the
markets.
Gambling was prevalent at carnivals and fairs. It was a typical carnival
activity, both profane and antihierarchic: in the face of fortune, social
distinction counts for nothing and everyone becomes equal. The carnival was
accompanied by what the Russian literary critic Mikhail Bakhtin called a
"grotesque realism," which involved the parodic degradation of values as
everything spiritual was transferred to a material level. The Liturgy of the
Gamblers was often found among the parodical texts. Carnival language was
irreverent and obscene, it was the language of Billingsgate (the London fish
market) which remains the vernacular of stock markets to this day. The carnival
spirit of equality also suffused the exchanges. As Vega writes in Confusion
de Confusiones (itself a parodic carnivalistic title), "a witty man,
observing the business on the Exchange, the studied impoliteness there,
remarked that the gamble on the Exchange was like death in that it made all
people equal."
While the spirit of carnivalism endures in the stock market, the speculative
mania represents a continuation of the carnival proper. Both carnival and
mania produced "the world turned upside down." The carnival offered a moment of
release from the rigidities and religious demands of the medieval world, when
the traditional social hierarchy was inverted and the village idiot became
carnival king. Although the modern market economy is far freer than its
medieval antecedent, it has created new tensions. While the carnival
deliberately undermined the authority of the Church, the speculative mania
reverses the nostrums of capitalism such as devotion to a professional calling,
honesty, thrift, and hard grind. Like the carnival, it provides only a
temporary release since when the mania collapses these values are reinforced.
The medieval carnival was a cyclical event occurring in a special time divorced from daily realities -- the French historian Emmanuel LeRoy Ladurie refers to
what he calls the "orgasmic interim" of the carnival. The time of the
speculative mania is also both cyclical and abnormal -- afterwards speculators
recall it as unreal and dreamlike. For Bakhtin, the carnival is "linked to
moments of crisis, of breaking points in the cycle of nature or in the life of
society and man. Moments of death and revival, of change and renewal, always
lead to a festive perception of the world." This accords with Schumpeter's
observation that speculative manias generally appear during periods of profound
economic upheaval. The Dionysiac aspect of the carnival survives in the
conspicuous consumption and revelry of speculators. Both carnival and
speculative mania end in similar fashion. Order is restored after the carnival
by the symbolic burning of the carnival king in effigy. After the mania, the
leading speculators -- from John Law of the Mississippi Company in 1720 to
Michael Milken, the junk bond king, in 1990 -- are pilloried, stripped of their
wealth, and imprisoned. Like the carnival king, they become scapegoats for the
sins of the community and are sacrificed so that normality can return.
The spirit of speculation is anarchic, irreverent, and antihierarchic. It loves
freedom, detests cant, and abhors restrictions. From the tulip Colleges of the
seventeenth century to the Internet investment clubs of the late twentieth
century, speculation has established itself as the most demotic of economic
activities. Although profoundly secular, speculation is not simply about greed.
The essence of speculation remains a Utopian yearning for freedom and equality
which counterbalances the drab rationalistic materialism of the modern economic
system with its inevitable inequalities of wealth. Throughout its many
manifestations, the speculative mania has always been, and remains to this day,
the Carnival of Capitalism, a "Feast of Fools."
Excerpts from "'The Bubble World': The Origins of Financial Speculation"
from DEVIL TAKE THE HINDMOST: A HISTORY OF FINANCIAL SPECULATION by
Edward Chancellor. Copyright (c) 1999 by Edward Chancellor. Used by
permission of Farrar, Straus and Giroux, LLC. All rights reserved.
CAUTION: Users are warned that this work is protected under copyright
laws and downloading is strictly prohibited. The right to reproduce or
transfer the work via any medium must be secured with Farrar, Straus
and Giroux, LLC.
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